Voices are like fingerprints, from Cagney to Bogart. They never lost it. My voice is instrumental in categorizing me.
Good actors aren’t enough. You need charisma. Can you imagine ‘Casablanca’ without Bogart and Bergman?
Bogart could have been color blind. He got to know a man before he decided if he liked him or not.
Fame comes with its own standard. A guy who twitches his lips is just another guy with a lip twitch – unless he’s Humphrey Bogart.
Two planeloads of California actors and directors flew to Washington in support of the Hollywood Ten, and some of us, like John Garfield, came down from New York. There’s a very famous Life magazine cover with Bogart and Bacall sitting in the hearing room. I was in between them.
When wearing a trench coat, you’re allowed to act like Humphrey Bogart when he was detective Sam Spade.
Maybe the best example of the unmuscled hero is Humphrey Bogart in ‘Casablanca.’ Bogart was 15 years older than Ingrid Bergman, and it did not matter at all. He had the experience, the confidence, the internal strength that can only come with age.
When wearing a trench coat, you’re allowed to act like Humphrey Bogart when he was detective Sam Spade.
Maybe the best example of the unmuscled hero is Humphrey Bogart in ‘Casablanca.’ Bogart was 15 years older than Ingrid Bergman, and it did not matter at all. He had the experience, the confidence, the internal strength that can only come with age.
Writing is getting killed by too many chefs. Back in the Bogart days, it started with great scripts. You had a writer, and he wrote a script, and that was your movie. I think that’s been watered down a bit lately.
It’s a younger generation running the show, and I miss the generation we had in the ’70s. They were really very honorable guys, like Neal Bogart and Bill Graham, people who will never be around again.
Writing is getting killed by too many chefs. Back in the Bogart days, it started with great scripts. You had a writer, and he wrote a script, and that was your movie. I think that’s been watered down a bit lately.
It’s a younger generation running the show, and I miss the generation we had in the ’70s. They were really very honorable guys, like Neal Bogart and Bill Graham, people who will never be around again.
Roles constantly have to be redefined in any form of entertainment. Look back at the gangster pics of the 1930s and 1940s and the way James Cagney or Humphrey Bogart would play the part. These roles were redefined in the 1970s by Al Pacino and Rober DeNiro. And again in the 1990s by Gary Oldman and Anthony Hopkins.
I like most of the Humphrey Bogart movies because they had to act then, and they acted very well. Edward G. Robinson is probably the best actor I’ve ever seen on the movies.
I didn’t have much ambition, but I always had an idea in the back of my mind that I wanted to act. I would watch actors like Robert Mitchum, Humphrey Bogart, and Kirk Douglas, and I understood them.
The three actors I admire the most are all dead. Humphrey Bogart, Spencer Tracy and the French actor, Jean Gabin. They’re all very natural, sort of masculine without being overly macho.
I was born Maurice Joseph Micklewhite. Imagine signing that autograph! You’d get a broken arm. So I changed my name to Michael Caine after Humphrey Bogart’s ‘The Caine Mutiny,’ which was playing in the theater across from the telephone booth where I learned that I’d gotten my first TV job.
‘The Big Sleep’ is an unsentimental, surrealist excitement in which most of the men in Hollywood’s underworld are murdered and most of the women go for an honest but not unwilling private sleuth (Humphrey Bogart).
One of the fine moments in 1940s film is no longer than a blink: Bogart, as he crosses the street from one bookstore to another, looks up at a sign.
Young people, even in Hollywood, ask me, ‘Were you really married to Humphrey Bogart?’ ‘Well, yes, I think I was,’ I reply.
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